Picturing Food at The Getty Center, Los Angeles


New Work Selected to be a part of Economica



"Baby Wants Dog" illustrats "The Best Chink Food" in The Gastronomica Reader

A Conversation with NYMPHOTO

Letter of Support From Baghdad


Fellowship Award for Artist Residency


Selected for International Museum of Women



4 Page Feature in Mammut Magazine


Interview with Lorenzo Dominguez for New York Examiner



Square Meal, Part of Dwell on Design


Gastronomica Winter 09 Letter of Objection


Fuse Radio Interview / A&I Photographic Newsletter


B&W Magazine Spotlight


Px3 Public Choice Award


Wok the Dog Featured in Gastronomica

Charlie Grosso talks about Wok the Dog with
Evan Kleiman -
KCRW Good Food


Advanced Praise for
Wok the Dog



Prestigious Year
2007 Awards


Hasselblad Masters 2008


EnFoco New Works



Texas Photographic Society


Affected Album


Creating Cinematic Photos for a Film That Never Was


Selected as Metro Arts Finalist


Creates Cover for Variety’s LA411


‘New York Scenes”
Selected for CEBA Award











Wok The Dog
PDF PRESS KIT


Faceless Meat, Lhasa, Tibet 2007

 


Advanced Praise for Wok the Dog

To say that Charlie Grosso’s Wok the Dog is ‘food photography’ is like saying that Ansel Adams took pictures of big rocks. By illuminating the global human relationship to food, she makes the farthest corners of the world seem somehow expansive yet knowable, bizarre yet right next door. These images are beautiful, technically perfect, and sometimes a little bit creepy.”
- Steven Rinella, author of The Scavenger’s Guide to Haute Cuisine

“Powerful!”
- Michael Pollan, author of The Omnivore’s Dilemma

Look closely at Charlie’s images; let them inspire you to take back control of what you eat. When I saw Charlie’s work I realized that we were both thinking about the same issues. In her photographs of markets, Charlie reveals that many peoples still have a direct link to their food. Here in North America, we have so distanced ourselves from our food we no longer understand that meat comes from living animals. The consequences of this lack of knowledge are disastrous.”
- Jennifer McLagan, author of Bones: Recipes, History & Lore

“Splindid Photos!”
- Fergus Henderson, Director / Chef of St John and author
of The Whole Beast: Nose to Tail Eating

I do believe [Charlie’s photograph’s are] a powerfully compelling meditation on the boundaries we draw when it comes to deciding what to eat, as [she] force[s] us to take a stand on a question that we’d rather just avoid.”
- Warren Belasco, author of Meals to Come: A History of the Future of Food
and Professor of American Studies at the University of Maryland

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